A nomadic art initiative In DIALOGUE WITH LIVES SHAPED BY CONFLICT
Our Story
To rethink how art is encountered, where it lives, and who it belongs to. Open in approach and adaptable by design, our work is shaped through deep collaboration and a shared commitment to testing uncharted ideas.
Reizck exists to dismantle boundaries.
Reizck situates contemporary art and conversation in unexpected environments. We produce a small number of highly curated, site-responsive exhibitions each year, while supporting grassroots creative programming rooted in lived experience.
The name Reizck is drawn from founder Merritt Spangler’s family lineage. Pronounced RIZ-ik, it serves as a tribute to family history that inspired the project’s ethos.
join us at an event
-
Collision of Mediums Before the Algorithm
Location: In Sheep’s Clothing
Time: 7-10pm
A listening party and conversation exploring how music once existed within a larger physical culture, intertwined with album art, fashion, record stores, nightlife, and local scenes. Before algorithms curated taste, cultural discovery emerged through physical spaces, imperfect technologies, and real-world participation.
Through music, visuals, and discussion, the evening reflects on how the shift from physical to digital culture has transformed the way identity, taste, and artistic communities are formed. As discovery becomes increasingly shaped by personalized feeds and algorithms, the program asks what happens when music is detached from the spaces and subcultures that once gave it context, and what forms of discovery may have been lost along the way.
-
A Disco Party & Rewriting Wall Text
(details to be announced soon!)
-
Location: Minnesota Street Project, 1275 Minnesota St, San Francisco, CA
Time: 3-5pm
For Minnesota Street Project’s First Saturday programming, 222, Nightlight Society, T. Berkley Wines, and Reizck Project invite guests to an evening of guided wine tasting and conversation exploring how artistic taste is formed and refined over time. Moving between sensory perception and visual interpretation, the program considers what draws us to certain works, flavors, and experiences, and how taste develops through exposure, dialogue, and personal connection rather than expertise alone.
Through conversation around collecting art and engaging with a selection of artworks, the evening will explore why people often feel intimidated by art, challenge the notion of “good taste” as something fixed, and reflect on how collectors and viewers gradually develop their eye.